Sunday, December 12, 2010

People You Should Know

Hey everybody!  I had a thought the other day, and I decided it would be a good idea to share it with you.  Before I do, I just wanted to remind everyone that my Pre New Year’s Resolution Video Blog is well underway, and you should check it out at http://www.youtube.com/user/slingerbaba.

Ok, so here’s what I was thinking.  There are certain actors who, when their name is mentioned, I immediately say, “Oh, that person is ‘the man’ (or woman).”  Why is that?  What have they done to earn that title?  Usually, I say that a person is “the man” because of a movie, or set of movies, that they have appeared in where I greatly enjoyed their performance.  Or it can be that I particularly like their attitude off set.  For example, Viggo Mortensen (my favorite actor,) gave the best Daily Show interview that I have ever seen an actor give, thereby making him “the man.”  (Although, he was already the man at the time of that interview, for other reasons.)

Of course, when I mention Viggo in conversation, most people know who I’m talking about, and readily agree that he is most certainly “the man.”  But there are those who, when mentioned in a discussion of actors, most people will respond by saying, “Who the heck is that?” but are still, without question, “the man.”  So I have decided to present my list of The People You Should Know, and why they are “the man” or “the woman.”

1.  The Stud - Cam Gigandet
I know.  He has yet to appear in a good movie.  And yes, he is almost always cast as “the young handsome badass.”  And that’s totally ok, because he is a young handsome badass.  For starters, the guy knows Krav Maga.  (If you don’t know what that is, take a minute to look it up.  In fact, I’ve looked it up for you.  http://en.wikipedia.org/wiki/Krav_maga.  You’re welcome.)  As if that wasn’t awesome enough, let me present you with this little factoid:  He’s read Twilight.  And appeared in the movie.  Whoa.  Also, if you’re looking for a cheesy, montage-filled, high-school martial arts movie, look no further than Never Back Down, where he fills his typical role as the shirtless bad guy.  If after that you’re not convinced of his total badass-ery, you need to redefine your “the man” scale.  Here’s another fun fact:  Never Back Down holds my record for most consecutive days with a complete viewing, at seven.  In summation, Cam is “the man.”

2.  The Beauty - Nora Zehetner
The only female to appear on this list.  Incidentally, she ranks number one on my “Girl Next Door Scale.”  Not Emma Watson, who somehow makes everybody else’s list.  Why does she belong on this list?  One word: Brick.  Brick, in addition to jump-starting Joseph Gordon-Levitt’s career, is a perfect showcase of Nora’s beauty and acting talent.  As an added bonus, she had one of the coolest powers on season one of Heroes.  Spoiler Alert: I was real upset when she died.  I used to think that Julia Stiles was the most attractive woman to appear in a movie that also starred Mr. Gordon-Levitt, (Ten Things I Hate About You,) but I was wrong.  In Brick, Nora completely owns every scene and every shot that she appears in.  Despite her obvious attractiveness, she is “the woman” because of her on-screen talent.  She is a fine actress with a bright future, and brighter eyes.

3.  The Brooding One - Ashton Holmes
As I already mentioned, Viggo Mortensen is my favorite actor.  There is only one actor that I have seen that has appeared in the same scene as Viggo, and outperformed him.  That actor is Ashton Holmes.  (Not Ed Harris.)  In A History Of Violence, Ashton plays the role of the troubled son to perfection.  He delivers one of my all-time favorite lines in one incredible scene in that movie.  (“In this family, we shoot them.”  Taken out of context, it makes no sense.  You have to see it to understand.  Which you should do.)  In the HBO series The Pacific, he again plays a dark and troubled character, a young man who’s innocence gets corrupted by the horror’s of war.  (Just like everyone else in that series.)  Although his body of work is not extensive, I have yet to see him give anything other than a superb performance, making him “the man.”

4.  The Brit - Tom Hardy
People are starting to take note of Tom Hardy, so he’s not as “under the radar” as the rest of the people on this list, but I would still say that the average movie-goer does not know who he is, so he gets a place on this list.  Tom is a what I like to refer to as a “physical actor.”  Other examples of physical actors include Ben Kingsley and Christian Bale.  What I mean is that he throws his body into his role.  For the movie Bronson, he puts on a ton of muscle, transforming himself from the lean, homosexual “Handsome Bob” in Rock’n’Rolla to the big, violent Charlie Bronson, Britain’s most violent prisoner.  He recently appeared in Inception as Eames, the smooth-talking British forger, wherein he totally dominates every one of his shots.  As a matter of fact, despite the monster star power of that movie, I believe that he outperforms DiCaprio, Gordon-Levitt, Page, and Murphy.  He is truly a stellar actor, who’s star is rapidly on the rise.

5.  The Best Actor You’ve Never Heard Of - Mads Mikkelsen
I’d like to start of by saying that I used to be under the impression that Daniel Craig, in addition to being the best actor, was also the most handsome man in Casino Royale.  I was wrong on both accounts.  Mads is.  The problem is that he plays a Bond Villain, which automatically detracts from the credibility of the role.  But after taking a view of Valhalla Rising (my current favorite movie,) and Flame and Citron, it’s hard to argue that Mads has the most expressive face I have ever seen.  Why do I say this?  Because in those two movies, he doesn’t say a single word in English.  That’s right.  And yet, I was able to completely understand every facet of his character, just by looking at his face (and in the case of Valhalla Rising, his body).  By the way, both of those films are available on Netflix streaming, so if you have that service, I cannot recommend them highly enough.  Just make sure you don’t let any young ones see Valhalla Rising.  It will scar them for life.  When I say he is the best actor you’ve never heard of, I mean it.  He ranks number two on my overall list, (after Viggo,) and is certainly the best one whose name I mention and nobody knows who I’m talking about.  Fun fact:  They’re both Danish.  Go figure.

Well, that concludes my exploration of The Men and Women you should know, but probably don’t.  I hope you enjoyed it.  And keep your eye out for these actors, as they are always worth watching.

Until next time,
Harry

P.S.  Who is your favorite actor/actress, and does anybody else know who they are?  Sound off below.

Monday, December 6, 2010

The Vlog Continues, Plus the Re-Review

Hey everybody,
Just wanted to let you know that if you want to catch all of the excitement of my video blog, head on over to my youtube channel located at http://www.youtube.com/user/slingerbaba.

And as promised, here's my re-review of Avatar.

It is hard to fill a cup that is already full.  These are the words that Jake Sully hears upon entering the Omaticaya village.  And usually, it applies to me.  You see, my cup is almost always full of opinions.  Strong opinions.  Opinions that will not waver or falter.  However, for my pre-New Year’s resolution, I have decided to empty the cup, and return with an open mind to things that I already have developed strong opinions on.

One of my very first posts was a comparison of Avatar and Star Trek.  If you’d like, here’s a link.  Here’s the recap: I’d rather watch Star Trek.

Anyway, for the first step in my resolution, I rewatched both movies.  Guess what.  I liked Avatar more.  And I know why.

Going into both movies, I tried to empty my mind of any prior knowledge of either movie.  I didn’t think about the monetary and critical successes of either movie, the Oscar nominations of Avatar, or the number of cult followers that had grown for Star Trek.  What was left was a pure cinematic experience, just me and the movie, the way it should be.

And you know what happened?  Two things.

First, I had more fun with both movies than I had before at any prior viewing.  “Wow,” I said to myself.  “Harry, this is the way to see movies.  Forget all of the news and hype surrounding the film.  Just watch it.”  So I made a promise to myself to at least try to view all movies this way.  I’m pretty sure it will be more rewarding, and while I still won’t like everything I see, my movie-watching experience will be far more unadulterated, for lack of a better word.

Second, I came to the realization that Avatar is one kick-ass action movie.  I mean seriously kick-ass.  But more importantly, I was able to look past to admittedly poor acting of Sam Worthington and appreciate the incredible supporting performances of Stephen Lang, Sigourney Weaver, and Giovany Ribisi.  Also, I took all of these things in without the help of IMAX 3D.  Which means that James Cameron put together a truly solid movie, and wasn’t purely relying on the shock and awe of special effects to win over the audience.

Don’t get me wrong.  Star Trek is also a kick-ass action movie.  But this most recent viewing made me realize that nothing, and I mean nothing, can truly hold a candle to the action and visual assault and Cameron delivers.

The take-home message for me is that I should not judge things based on my first reaction, let alone pre-formed opinions.  Taking the time to take in the whole experience really helped me to have a better appreciation for things that I just assumed were bad because they did not live up to the hype.  Watching with no expectations let me decide for myself whether or not I enjoyed the film.  And now I know that Avatar is nothing if not an enjoyable movie.

Until next time,
Harry

Saturday, December 4, 2010

It's The Return Of The...

Video Post!

I'm creating a vlog to follow my pre-new year's resolution challenge!  Check it out!



Until next time,
Harry

Tuesday, November 30, 2010

It's Never Too Early

Hey everybody!  I’m back from my hiatus, and hopefully better than ever.  I just wanted to give you a brief overview of what’s going to be in the works for the next month or so.

With Thanksgiving in the rearview mirror, it’s safe to say that the holiday season is upon us.  Which also means that it’s time to start thinking about New Year’s resolutions.  And this year, I think I’ve come up with a winner.  It goes something like this:

Part 1: Give things second chances.
Part 2: Look for the good in all things.

Let me explain.  As you are no doubt aware, I am a very opinionated guy.  When I feel strongly for one side of an argument, I stick to it.  If I think something is good, then I will defend it tooth and nail.  If I think something is bad, I do everything in my power to prove that to others.

So this year, I’m going to try to open my mind, and try to find redeeming qualities in things that I previously saw as all bad.  That’s not saying that I’m going to love everything I see, it just means that I’m going to try to be a little more open-minded, and not so rigid on my opinions.

I’ve decided that I’m going to get a head start on this resolution, so I’m going to begin before the New Year comes.  Here’s the plan: I’m going to pick three things that I have been known to dislike strongly, and give them all a second chance.  That does not mean that I will necessarily like them the second time around, but I will try to find what good parts there are in an attempt to reduce the black-and-white aspect of my opinions.  The three things are:

1.  Avatar
2.  Harry Potter
3.  Shakespeare

What does this mean?  It means that I’m going to re-watch/read these three things, and look for the good in them.  I may not fall in love with any of them, but I least I will be able to say that I gave them a second shot.

So, as I go through the month re-exploring old non-favorites, I’ll keep you up to date on how my journey of self rediscovery goes.

Until next time,
Harry

P.S.  Have you starting thinking about your New Year’s resolution?  Post it here!

Thursday, October 28, 2010

A Change In The Winds / Now For Something Completely Different

Ahoy tharr mateys!  ‘Tis a foul weather a’brewin’ above the fine waters of the interwebs.
(Hey everybody!  There’s bad news on the horizon for the internet.)

The good-for-naught East India Company has grown in dastardly power, and seeks to rid these fair isles of righteous freebooters, like me’self.
(The district court of New York has taken a major step in their efforts to destroy internet pirates, of which I am one.)

‘Afore ye be runnin out yer cannons, I hope you’ll allow me to speak a bit of “legal gibberish.”
(Before you jump down my throat, here’s a quick disclaimer.)

I’m all for sticking to the pirate’s code, but shall we say I’ve never actually read through the ancient ledger.
(I’m no lawyer.)

I just be a humble pirate.  You won’t find me runnin’ up the Jolly Roger against the might of the imperial fleet.
(I’m just a regular guy, with regular opinions.  This isn’t a call to arms.)

Now that the wind’s at me back, I’m headed off in search of adventure.
(Here we go.)

A mere day ago, the magistrate Kimba Wood sent the decree that the pirate haven known as Limewire was to close its ports immediately.
(Yesterday, judge Kimba Wood ordered filesharing service Limewire to cease its operations.)

Limewire be the finest of locales for honest pirates to exchange their loot.
(Limewire is one of the best filesharing services around.)

But it sends a chill through me bones knowing that this precious isle be soon fall victim to the same ungodly fate as the most populace port of call before it, the isle of Napster.
(But I’m worried that Limewire is going the way of Napster.)

And this news has your humble servant not only caught with his cannons stowed, but also in need of a port to call home.
(This not only caught me by surprise, but also forces me to find a new filesharing site.)

The Crown claims that my honest buccaneering interferes with the riches of the princesses of the court, but I say, hang ‘em, they be the real pirates in these waters, robbing the laborers of their hard earned doubloons with their unfair taxes.
(The record labels say that my internet piracy detracts from the wealth of people like Lady Gaga, Miley Cyrus, and 50 Cent, but I say that they are the ones ripping off the public with their awful music.)

The parrot perched on me shoulder squawks, “If I catch a glimpse of another royal mansion, I might fire a broadside.”  And me parrot always tells the truth.
(I heard someone say, “If I see another episode of MTV Cribs, I might punch the nearest wall.”  I wholeheartedly agree.)

If ye be a true buccaneer, I’d advise ye to turn to the new pirate haven of Frostwire, the next port of call for us corsairs.
(If you’re a pirate like me, check out frostwire.)

Until I see your sails on the horizon,
-Harry
(Until next time,
-Harry)

It nearly slipped me mind: I’d owe ye a debt of gratitude if you ran up your true colors below.
(P.S.  I’d really appreciate it if you told me your opinion on this issue.)

Friday, October 8, 2010

TV Show Week Part 5

Hello everyone, and welcome to the final installment of my latest countdown.  This week, I’ve been looking at my top 5 seasons of television show.  To qualify for my list, each episode of the season must be 1 hour long including commercials, and the season must contain at least 10 episodes.  So without further ado, the winner is...

Number 1
Battlestar Galactica, Season 1, Scifi

Yes, I know.  I am a sucker for science fiction.  But that does not take away from the fact that Season 1 of Battlestar is the greatest season of TV ever.  It combines the wonderful moral ambiguity of a great novel with the action of any sci-fi movie.  Also, it delves into topics not often touched upon in TV shows, like that of polytheism versus monotheism, and military rule versus democratic.

The characters on Battlestar Galactica are the best on television.  The writing and acting is superb.  They have depth that is unmatched by any show that I have seen.  And as an added bonus, any one of them could turn out to be a bad guy at any minute.  This element makes the show as captivating as anything I have ever seen, in movies or television.

The special effects, while not perfect, definitely get the job done.  It’s no Star Wars, but you definitely get the feel of deep space combat when watching Battlestar Galactica.  The action sequences are as good as any on television.

What really sets Battlestar Galactica apart is the way it deals with so many different characters and concepts without becoming convoluted.  The story is easy to follow, despite its incredible depth.  It never sacrifices any part of the story, action or acting for any other element.  The way it balances its many facets is what makes Season 1 of Battlestar Galactica the best season of TV ever.

Please note:  I have only seen season 1 of Battlestar Galactica.  I’m working my way through season 2 now.  And it’s awesome.

Until next time,
Harry

P.S.  Feel free to sound off and tell me your favorite season of television.

Thursday, October 7, 2010

TV Show Week Part 4

Hello all.  I hope that you’ve been enjoying this week’s writings.  If you’re just joining us, here’s the scoop:  I’ve been counting down my top 5 TV show seasons.  To qualify, each episode must be 1 hour long including commercials, and there must be at least 10 episodes in the season.  So without any delay, let’s get right to it.

Number 2
The Wire, Season 5, HBO

The final season of The Wire is one of the greatest things ever put on TV.  I mean that.  Every moment of every episode is incredible.  Shot with typical HBO brilliance, in addition to just being a wonderful story, the visuals are truly a work of art.

The reason that Season 5 is the best of The Wire is because it deals with subject matter that creator David Simon is most familiar with.  That means that it feels even more real than the previous seasons, which were already about as real as you can get.  But Season 5 really reaches another level in terms of realism that no show that I have seen has ever reached.

Season 5 of The Wire also manages to weave together a myriad of storylines in a way that is relatively understandable, despite its incredible complexity.  It has the most characters of any season of the show, and the viewer can really get into each one of them, and understand their motivations and story.

A quick aside:  I was on set for some of the filming of this season of the show.  My uncle, Paul Ben-Victor, is an actor on The Wire, so I got to hang out with the cast and crew.  It was pretty awesome.

In summation, The Wire is damn near perfect, and Season 5 is the best season.  The only reason it’s not number one is the length.  It could definitely have been two or three episodes longer, and that would have made it feel slightly less rushed at the end.  All in all, a brilliant conclusion to a brilliant show.

Until next time,
Harry

Wednesday, October 6, 2010

TV Show Week Part 3

Hey everybody!  In case you haven’t been following, this week I’ve been counting down the top 5 seasons of television shows that I’ve ever seen.  My only criteria are that each episode of the season must be 1 hour long including commercials, and there must be at least 10 episodes in the season.  So without further ado, let’s hop right in to the countdown!

Number 3
Prison Break, Season 1, Fox

Season 1 of Prison Break is the greatest thing Fox has ever put on television.  (Not their movies, just the TV shows.)  The characters are incredible.  The writing is fantastic.  The tension is palpable.  The story is completely unique.  And the acting is about as good as you’ll find on network TV.

What really makes Season 1 stand out is the characters.  Every one of the leads is well thought out, deep, and well acted.  The main character is the most interesting TV lead that I have ever seen.  But there are so many good characters surrounding him that he almost gets lost in the shuffle.

The action in Prison Break is intense and frenetic.  While not as consistent as 24, when the action starts, it’s just as compelling.  Even though there is a significant amount of suspension of disbelief, it is not at the point where the show loses any of its credibility.  Every aspect of the show is well thought out, and the tension is so great that your eyes will be glued to the screen.

The best thing about Season 1 is that it never lets up.  There are no down episodes, and no points in any episode that you think, “Gee, could have been omitted.”  Instead, the story moves rapidly from point to point, never skipping anything, and never slowing down.  From start to finish, it is engaging and fun.  And that is what puts it at number 3 on my list.

Until next time,
Harry

Tuesday, October 5, 2010

TV Show Week Part 2

Hey everyone, and welcome back to another countdown.  In case you missed yesterday’s post, this week I’m looking at my top 5 seasons of TV shows.  (Note: Not series, but season.)  In order to qualify each episode of the season must be 1 hour long (including commercials) and the season must consist of at least 10 episodes.  So let’s get right to it.

Number 4
24, Season 3, Fox

24 is without question the most addictive show I have ever watched, and season 3 was its crowning achievement.  The reason for this is the supporting cast.  And what I really mean by supporting cast is James Badge Dale.  He’s the man.  And in Season 3, he proved it.  Season 3 had by far the deepest and most enjoyable auxiliary characters to support the lead.  Also, unlike most other seasons, each of the minor characters had a more developed story, as opposed to solely focusing on the main character.  Also, the villains in Season 3 were the best written of any season of the show.

24’s calling card is its action, and Season 3 certainly packed a major punch in that department.  Chases, gunfights, chemical warfare, this season had it all.  From the moment the season begins until the very last scene, 24 grabbed hold of its viewers and never let them go.  After each episode, I was dying for more.  While cliffhangers abound in every season of the show, never were they more dramatic than in Season 3.

But what really made Season 3 stand out was the writing.  Yes, it had its cliche moments, but in general, the story was fresh and the dialogue intense.  The show was still at the point where it didn’t need to rely on previously used plot elements, so everything was bold and inventive, something that could not be said for each subsequent season.

Season 3 was the best season of a great show.  It had the best action of any show ever to appear on television.  The only reason that it does not rank any higher is because, quite frankly, the premise of the show is completely ridiculous.  Don’t get me wrong, I’m all for suspension of disbelief, but 24 pushes the limits to a point where at points I could not take it seriously.  But all in all, this was a fantastic season of television.

Until next time,
Harry

Monday, October 4, 2010

TV Show Week Part 1

Hey everybody!  First off, I want to apologize for my lack of writing these last few weeks.  To be perfectly honest, the reason for this is that I have not watched that many movies during that time.  I’m working on fixing that as soon as possible.  But until I see another movie worth writing about, I thought I’d spend a little time talking about another valuable aspect of cinematic entertainment, that being the TV series.

So this week I will be counting down the top 5 seasons of television series’ that I have seen.  Note that I’m not looking at the series as a whole, but instead I’m looking at each individual season.  The reason I’m doing this is because the I’ve seen shows whose entire premise changes from season to season.  So I’ll be looking at each season as it’s own unique creative work.  My criteria are as follows:

1.  Each episode of the show must be 1 hour long, including commercials.
2.  The season must have at least 10 episodes.

Disclaimer:  Yes, I am aware that I have not seen every TV show.  I haven’t even come close.  These are merely my picks from what I have seen.  I fully understand that there are great shows out there that I have not seen (yet).

With that being said, let’s get to it.

Number 5
Chuck, Season 2, NBC

Season 2 of Chuck is an odd collection of many different kinds of episodes, which is why I couldn’t place it any higher.  The more comedic ones are pretty formulaic, which lowers the average of the season.  Though the comedy does manage to evoke some laughs, it’s not funny enough to be brilliant, and doesn’t contain enough seriousness for me to really appreciate the depth of the characters.  This is sad, because some of the characters actually do have a lot of depth.  (Not all of them, just some.)  The first half of the season is generally filled with these kinds of episodes, which can drag down the overall value of the show.

However, once the show hit the halfway mark, it really picked up.  I guess the writers decided it was time for the show to take a more serious turn.  What made it so good was that it never lost the funny aspects that had made the first season so enjoyable.  It just added on another layer of complexity to the relationship between the two main characters, which added a lot for me, as I was starting to get bored with the standard plot devices that made up so much of the series prior to that point.

This combination of different types of episodes was both a blessing and a curse for Chuck.  On one hand, it managed to keep itself fresh, just when it started to look like the series had jumped the shark.  However, at points it fell prey to it’s reliance on plot crutches that had already been used.  Also, the lack of consistency from episode to episode made it sometimes difficult to watch, as certain aspects of the storyline would be put on hold to make way for some (admittedly good) comedy.

All in all, Season 2 of Chuck is a fine piece of television, but it falls just short of greatness.  If it had gone either more serious or more comedic, I think it would have been better, but instead it managed to fall right in between.  Nevertheless, it definitely deserves a place on my top 5.  Tune in tomorrow for number 4.

Until next time,
Harry

Friday, September 10, 2010

Collaboration Week Part 5

Hello everyone, and welcome back to director/actor collaboration week.  The idea is simple, I’m looking at my top five favorite director/actor duos.  I’m not counting down, or deciding on any particular order, because frankly, I don’t think there’s a reasonable way to measure.  The only criteria is that the combo must have made at least three films together, and not in a series.  So let’s dive into the final pair:  Guy Ritchie and Jason Statham.

Jason Statham is well known for his roles as a driver, (The Italian Job, The Transporter 1, 2, and 3, Death Race,) but before all that, he made a name for himself with the help of one Guy Ritchie.  On the flip side of that coin, Guy Ritchie would never have made it had he not discovered the talent of Jason Statham.

I know what you’re thinking.  “Harry, did you just say that Jason Statham was talented?  I thought you wrote a whole post about why he was just an action star, and nothing more.  What’s the deal?”  Well, you are both right and wrong.  Yes, Jason Statham is now almost exclusively an action star.  But before his driving, stunts, and explosions, Statham portrayed low-life swindlers on the streets of London.

The first two collaborations between Ritchie and Statham (Lock, Stock, and Two Smoking barrels; Snatch)  are remarkably similar, and also fantastic.  The third, (Revolver,) kind of sucks.  My explanation is that Revolver was made after Statham had become a superstar action hero, and he had lost some of his touch as a savvy crook.

But let’s get back to the first two.  Lock, Stock, and Two Smoking Barrels is quite simply the best crime movie ever to be set in London.  It’s frenetic, funny, unbelievably well shot, and the acting is great.  Even if you don’t see the movie, I highly recommend you watch the opening monologue, deliver by none other than Jason Statham.  This was the first appearance for both men, and while it was very raw, the quality was undeniable.

Snatch was the further evolution of the same formula, with bigger name actors, but the same basic idea.  With Statham as the lead, the movie rocketed from scene to scene, grabbing viewers attention and not letting go.

Since that time, sadly both men have dropped in quality, but those first two showings more than make up for the third, poorer edition of their beautiful cinematic experience.

And that does it for combo week.  Feel free to sound off, and tell me your favorite combos.  Thanks for reading.

Until next time,
Harry

Thursday, September 9, 2010

Collaboration Week Part 4

Hi there everyone, and welcome back to director/actor collaboration week.  If this is your first time tuning in, I’ll fill you in on what’s been going on.  This week I am exploring my favorite director/actor combos.  They have to have made three films together, not in a series, to be eligible.  Today, I’m going to look at the dynamic duo of David Fincher and Brad Pitt.

Admittedly, Fincher’s first film sucked.  (Alien 3.)  Since then, I would say that he has not made a single bad film.  Not one.  And his three collaborations with Brad Pitt are off the charts in terms of quality.  Those films are Se7en, Fight Club, and The Curious Case of Benjamin Button, which I have not seen in its entirety, but have seen enough of to comment on.

Brad Pitt, like Fincher, is as consistent as they come.  I can’t recall the last time I saw I movie with Pitt in it and said to myself, “He wasn’t very good in that film.”  In fact, I don’t think that has ever occurred.  But when he works with David Fincher, I always say to myself, “Wow, he was incredible in that film.”

For years, Fight Club was my number one favorite movie.  (It’s still in my top five.)  While Edward Norton was a significant contributor to that fact, there is no question that Pitt’s performance was outstanding.  And Fincher manages to bring the whole movie together in a way that is wonderful from start to finish.

Each of the two are very accomplished artists without the other, but it always seems that when they work together, they bring out the very best from each other.  I believe that Brad Pitt has never given a better performance than his role in Se7en, and David Fincher has never concocted a more brilliant film than Fight Club.  These two, when paired, put together some of the finest movies I have ever seen.  And that’s the bottom line.

Until next time,
Harry

Wednesday, September 8, 2010

Collaboration Week Part 3

Hey everybody, and welcome back to another installment in my ongoing Director/Actor collaboration week.  I’m exploring my five favorite actor/director combos, in no particular order.  Today I’ll be looking at Martin Scorsese and Leonardo DiCaprio.

To me, Leonardo DiCaprio was little more than a heartthrob for most of his early career.  With the possible exception of Romeo + Juliet, I don’t think he had any meaningful roles.  But then he teamed up with Martin Scorsese for Gangs Of New York, and hasn’t looked back since.

Scorsese on the other hand, has been making great movies for quite some time.  Purists will probably tell me that he collaborated better with Robert De Niro, but I disagree.  I feel that once he started working with DiCaprio, he found a new level of excellence.

These two have now worked on four projects together, them being Gangs Of New York, The Aviator, The Departed, and Shutter Island.  Each one of these films is excellent in its own right, but for me, The Departed is their best collaborative work.

Even though The Departed features a great ensemble cast, there is no question that DiCaprio is the lead.  Throughout the film, Leonardo maintains a level of quality that is unmatched by any of his previous performances.  And Scorsese manages to intertwine the many varying storylines, twists, and complexities of the story in a way that makes it accessible, while still being about as complicated as it can reasonably get.

For me, Shutter Island is the low point of their combo, which is saying something, because I saw Shutter Island twice in theaters.  (An obvious sign of quality.)  That movie, fantastic though it was, lacked just a bit of the punch provided by their previous three films.

That being said, their work together has been consistently phenomenal.  Scorsese transformed DiCaprio from just another pretty face to one of the most talented actors in Hollywood, while DiCaprio challenged Scorsese to raise his level of cinematic quality to heights that he had never reached in the past.  And that is what puts this duo on my top five list of actor/director combos.

Until next time,
Harry

Tuesday, September 7, 2010

Collaboration Week Part 2

Hello, and welcome back to Collaboration Week, wherein I am exploring the best direct/actor collaborations of all time.  Today I’ll be looking at a director who has defined cinema for generations, and the actor that he works best with.  This combination is... Steven Spielberg and Tom Hanks!

In terms of director/actor combos, these two have only teamed up thrice, with Saving Private Ryan, Catch Me If You Can, and The Terminal.  (I have only seen the first two.  Don’t hold it against me.)  As producers, they also created the two hit HBO miniseries’ Band Of Brothers and The Pacific.

Spielberg is one of the most widely recognized names in movie history.  He’s been in Hollywood forever, cranking out hit after brilliant hit.  But when he found Tom Hanks to play Captain John Miller in Saving Private Ryan, he struck gold.  Not only is Saving Private Ryan the greatest war movie ever, (it is, by the way,) but it also had a monumental influence on every war movie that has been created since.

Tom Hanks is no slouch in the fame department either.  He’s been in starring roles since before I knew how to spell my own name.  His range as an actor is phenomenal, and his roles in Spielberg movies are a testament to that fact.  Every part that Hanks has played under the direction of Spielberg is wildly different, which is unusual for collaborators, as they can sometimes fall into a rhythm that is hard to break from.

Even though this isn’t really on topic, it is absolutely worth mentioning how much these two have given to the community of U.S. veterans.  Their work on Saving Private Ryan seems to have inspired these two to take action to help our veterans, particularly WWII veterans.  And like I mentioned earlier, their work on Band Of Brothers and The Pacific are equally as magnificent as any war movie I have seen.

Until next time,
Harry

Monday, September 6, 2010

Collaboration Week Part 1

Hey everybody, and welcome to Collaboration Week!  This week I’ll be checking out the best director/actor collaborations of all time.  (Not in any order.)  The requirements are that the pair must have collaborated on at least three films, not in a series.  So let’s get the ball rolling, with director Tony Scott and actor Denzel Washington.

Come November, Scott and Washington will have collaborated on five movies, them being Crimson Tide, Man On Fire, Deja Vu, The Taking of Pelham 1 2 3, and Unstoppable.  I obviously have not seen Unstoppable, as it has yet to be released.  I have seen half of Crimson Tide, and the other three I have seen in their entirety multiple times.

One reason that this duo is so dynamic is that there is tremendous individual talent from both parties.  Washington holds a Best Actor Oscar for Training Day.  Scott, though never honored by the Academy, has created a unique visual style for is movies that is often imitated, though never duplicated.

Each part of the partnership was already an established name in Hollywood when they started working together.  (Denzel less so.)  So like any superstar tag-team, there is the worry that one may try to upstage the other.  But in all of their films together, it always seems as though Denzel fits perfectly into every shot, while still commanding the attention of the viewer.  What I’m trying to say is that each of them showcase their skills brilliantly without detracting from the performance of the other.

Man On Fire is easily in my top twenty films of all time, perhaps cracking the top ten, depending on my mood.  That film to me represents a perfect combination of a superb dramatic performance with a spectacular visual experience that overwhelms you with both its beauty and power.  (It’s also Dakota Fanning’s best performance, but that’s beside the point.)  The point is that when these two powerhouses meet, you know that you’re in for one heck of a movie.  And that’s why this collaboration is in my top five.

Until next time,
Harry